In your extensive exploration of intertextuality, particularly its diachronic development from medieval literature to contemporary cinema, have you ensured rigorous alignment between primary sources and their corresponding interpretations? Given the complexity of tracing intertextual motifs across diverse cultural and historical contexts, could you clarify whether all textual and visual references—especially those linked to Paracelsus, Fouqué, and Petzold—have been critically vetted for historical accuracy and theoretical coherence?
